Programs – The Comparison Project

2022-10-03

09/29/2022: Seth Villegas, “The Desire to Upload: Digital Immortality and the Transhumanist Push for Radical Life-Extension”

The lecture, titled “The Desire to Upload: Digital Immortality and the Transhumanist Push for Radical Life-Extension,” will be given by Seth Villegas on September 29 at 7:00 pm in Sussman Theater (Olmsted Center, Drake University).

Seth Villegas is a PhD candidate at Boston University, specializing in the dialogue between religion and science. His research focuses on a movement called transhumanism, which seeks to radically change the human condition through technology. Seth’s dissertation examines the ethics of transhumanist life-extension projects, such as cryonics and mind uploading. He serves as a consultant for the ethics requirements for Boston University’s new Computing and Data Sciences Unit and as a research fellow for the non-profit organization, Center for Mind and Culture. Seth hosts a podcast on technology and ethics, called DigEthix.

Seth Villegas’ lecture will discuss life-extension as one of the core advocacies of transhumanism. Transhumanist life-extension projects fall into three categories of immortality: biological immortality, cybernetic immortality, and digital immortality. This talk will argue that digital immortality is the real endpoint of transhumanist thinking because it represents the best way for transhumanists to satisfy their values. In addition, it appears to be one of the only ways that present day transhumanists may be able to transform into the immortal posthumans that they believe technology will make possible.

Below you will find both a recording of Seth’s lecture from October and a video Response to Ron Cole Turner’s lecture.

2014-10-21

11/07/2014: Exhibitions on Art and Ineffability

Drake University’s Comparison Project hosts two exhibitions on art and ineffability during the month of November with opening events on Friday, November 7. The opening events feature poetic and musical performances of ineffability from 5:00 to 6:00 p.m. in Weeks Gallery, a gallery talk on contemporary abstract painting as a form of wordless communication at 6:15 p.m., and a concert by the jazz sax quartet New Third Stream Quartet at 7:30 p.m. in Sheslow Auditorium.

Everday Abstraction in the Anderson Gallery is an exhibition of contemporary abstract painting as a form of wordless communication. It features the paintings of five artists from across the United States. It will be on view through January 23, 2015. Visit the Anderson Gallery website for more information.

Weeks Gallery will display works by various artists, all of whom are responding to the theme of “ineffability” through painting, photography, sculpture, and mixed media projects. The exhibition entitled, Performing Ineffability: Art, Poetry, Music will remain on display through the end of November. An associated art installation in Scott Chapel will be on display from November 5 to 7.

Two of the poet-artists involved in the exhibition opening are also participating in events on Thursday, November 6. At 6:00 p.m. Christopher Janke lectures on ineffability in contemporary poetry, and at 7:30 p.m. Douglas Kearney performs from his recent work Patter and hosts readings from Drake’s Coalition of Black Students and Des Moines’s Run DSM. Both poetry events will be held in the Cowles Library Reading Room.

All events are free and open to the public.

Photos from the exhibition opening

2014-03-11

03/27/2014: Translating the Ineffable: How Hunters Hear and Talk to the Dead in Côte d’Ivoire

Translating the Ineffable: How Hunters Hear and Talk to the Dead in Côte d’Ivoire
Lecture by Joseph Hellweg, Associate Professor of Religion, Florida State University

Thursday, March 27, 7:00 p.m., Cowles Library Reading Room

In the northwestern, Muslim area of Côte d’Ivoire (Ivory Coast), hunters communicate with a forest spirit, Manimory, and the spirits of other dead hunters through ritual sacrifices. The goal is to assure safe hunting. Since spirits cannot speak human language, they communicate through divinatory signs. They also send dreams to hunters. Hunters then translate these signs of the ineffable into human terms in order to hunt. Jewish, Christian, and Muslim theologians, in contrast, associate the ineffable with God on high. For theologians, talk of ineffability reflects the assumption that God is beyond human understanding. For hunters in Côte d’Ivoire, however—who also practice Islam—the spirits of dead hunters link them to God because, they say, the forest spirit, Manimory, descended from Abraham. Ineffability, in their case, reflects the sacred nature of local, practical pursuits like hunting as much as God’s transcendence.

Joseph Hellweg is Associate Professor of Religion at Florida State University. A cultural anthropologist by training, he has done over five years of field research in Côte d’Ivoire, Guinea, and Mali. His first book, Hunting the Ethical State: The Benkadi Movement of Côte d’Ivoire, chronicled a security movement manned by West African hunters. He is now writing a second book about these hunters titled, Practical Religion: Hunting, Islam, and the Poetics of Action in the Songs of Dramane Coulibaly; it examines the praise-songs and epics that hunters sing. He has also written a book in French on anthropological research methods. More recently, he has been studying the African-invented N’ko alphabet in Guinea and Mali. His article on the literacy movement linked to this alphabet appeared in the collection, Living the City in Africa. He does his research in French and Malinké, which he speaks fluently.

Watch the video of Hellweg’s talk:

2014-03-11

03/28/2014: West African Dance Workshop

West African Dance Workshop with Diadié Bathily, Dancer, Caph Guéï, Drummer and introduction and interpretation by Joseph Hellweg

Friday, March 28, 12:15–1:45 p.m.

Studio 55 Theater, Harmon Fine Arts Center

The workshop will cover the study of West African dance and the accompanying music. Special emphasis will be placed on the dance, drumming, culture, language and arts of Ivory Coast, Guinea and Ivory Coast. It will consist of lecture and demonstration followed by active participation by students, primarily dancing and learning about the music. Students will build technique and develop an appreciation and understanding of the relevant resources available and how to research within them.

Diadié (pronounced Jah-Jay) Bathily has danced professionally for over 30 years on stages in Africa, Europe and North America. He is a world-renowned dancer, choreographer, instructor and costume designer. Bathily has conducted master classes and workshops throughout Europe and North America and has performed with or choreographed for such notable companies as the Cleo Parker Robinson Dance Ensemble, the Katherine Dunham Centers for Arts & Humanities, Ecole de Danse et d’Echange Culturel with Ms. Marie Rose Guiraud, and Broadway Dance Center. He is the recipient of the N’gowa Prize for dance on the Ivory Coast and has performed at the United Nations, the Village of Arts and Humanities in Philadelphia and many festivals and events around the United States.

In 2003, he founded his own non-profit dance company, Afriky Lolo (Star of Africa) with troupes for adults, adolescents and children. They have performed and presented workshops all over the United States. Bathily was a guest choreographer and performer at Florida State University in Tallahassee, Florida and a visiting choreographer at Malcolm X College in Chicago. He also founded a satellite troupe of Afriky Lolo in Chicago.

See photos from the Dance Workshop

Watch a video of the dance workshop: